In week 1, we learned about our tendency to divide art and science and place them in different categories. This week Professor Vesna introduced many artists, scientists and medical doctors who merged and use them for the development of medical and scientific technology and also to express their artistic instinct. I was amazed by watching people who were willing to use their body for the experiment. X-rays, MRI, and CAT scan all became essential device to modern medicine. Without those people’s motivation and passion for an invention and new technology, none of these technologies have been invented.
I was fascinated by the story of ancient Egyptian which was introduced in the lecture video. They left records which show that the Egyptian physicians and Greek anatomists were involved in the origin of the anatomical science. Ancient Egyptian Medicine states that the Edwin Smith Papyrus below documents ancient Egyptian medicine, including the diagnosis and treatment of injuries. While some papyrus are medical texts based in magic, the Edwin Smith Papyrus is valuable for documenting a rational and scientific approach to medicine in Ancient Egypt.
People in the Renaissance did not have a camera to leave the image they saw. Having a good artists right by physicians who dissect must have been very important. At the same time, for artists, it was necessary to have a knowledge of anatomy to create paintings and sculpture which express real human figure. According to Heilbrunn Timeline of Art History, Michelangelo, an Italian sculptor in the Renaissance period, who is considered as the greatest artist of all time is known to have undertaken anatomical dissections in his careers.
Studies for the Libyan Sibyl
With his anatomical experiences, he was able to create a sculpture such as “Crouching Boy” which expresses inner force of the man by its bulging muscle and bones. I believe that his works were made it happen by the anatomical experience and it reassures that art, science and medicine are inseparable.
Crouching Boy
"Clinical AnatomyVolume 24, Issue 4, Article First Published Online: 20 APR 2011." Clinical Anatomy as Practiced by Ancient Egyptians. N.p., n.d. Web. 23 Apr. 2015. <http://onlinelibrary.wiley.com/doi/10.1002/ca.21155/pdf>.
"Turning The Pages Online: Smith Papyrus Gallery." Turning The Pages Online: Smith Papyrus Gallery. N.p., n.d. Web. 23 Apr. 2015. <http://archive.nlm.nih.gov/proj/ttp/smith_home.html>.
"Ancient Egyptian Medicine - Smith Papyrus - Ebers Papyrus." Ancient Egyptian Medicine - Smith Papyrus - Ebers Papyrus. N.p., n.d. Web. 23 Apr. 2015. <http://www.crystalinks.com/egyptmedicine.html>.
"Heilbrunn Timeline of Art History." Anatomy in the Renaissance. N.p., n.d. Web. 23 Apr. 2015. <http://www.metmuseum.org/toah/hd/anat/hd_anat.htm>.
"Heilbrunn Timeline of Art History." Michelangelo Buonarroti: Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a Small Sketch for a Seated Figure (verso) (24.197.2). N.p., n.d. Web. 23 Apr. 2015. <http://www.metmuseum.org/toah/works-of-art/24.197.2>.
The State Heritage Museum. The State Heritage Museum, n.d. Web. 21 Apr. 2015. <http://www.hermitagemuseum.org/wps/portal/hermitage/search-results?search=michelangelo>.
"Crouching Boy." Renaissance Art. N.p., 12 Feb. 2013. Web. 23 Apr. 2015. <https://tonynarducci.wordpress.com/2013/02/13/crouching-boy/>.
"Michelangelo Buonarroti A Crouching Boy." The State Heritage Museum. The State Heritage Museum, n.d. Web. 23 Apr. 2015. <http://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection/06.+sculpture/50447/?lng=>.